I’m fresh out of chemistry to process the rolls I’ve shot in the last little while, so this morning I wanted to go through some older work and see if I had overlooked anything. A few shots from a late-afternoon pub visit got me thinking about Dynamic Range and its use in the modern world of electron-based photography. Continue reading “Dynamic Range: Less is (Sometimes) More”
Ever get a filter on and wonder how much you should be compensating for decent exposure? Me too. All the time. Here’s a handy scan from Rollei that came out forever ago that answers those questions,and more. Continue reading “Handy Filter Cheat-Sheet”
Our family traveled to Montréal, Quebec in early November 2016 to attend the graduation of a family friend at McGill university. We had been meaning to explore Montréal for a couple years now and this was our opportunity. As with any adventure, it had its ups and downs but what struck me most about the city was the contrast. Montréal seems to exist simultaneously in both French and English, wealth and poverty, a proud sense of past mingling with a crumbling present. I put this figurative contrast to work, exploring new regions of my film’s exposure latitude.
This is probably old news to most folks, but I thought I would pop a quick notebook entry up for posterity. I’ve published a review of the lovely Zeiss Ikon Box Tengor here on Twin Lens Reflux, and in that article mentioned that it was made for PanF and other slow films of its era. We all shoot in less than ideal conditions, and being able to make the most of dim conditions is convenient. Especially when your brightest aperture is a austere F9.0.